
Figure 1: A copy of an 1817 engraving published contemporarily in Paris. The image reveals that a footbridge was already present along the north side of the Poesten Kill to provide better viewing of the upper falls. Men, women and children in their finest outfits sit and stand on the south bank of the gorge, which was a popular destination even at this early date. Two men stand contemplating the cascade, as if looking past the obvious beauty of the water and toward its service as a tool for power and industry (Arthur James Weise, Troy’s One Hundred Years, 102).
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